Cambiando Paisajes (Shifting Landscapes) (2003, rev. 2017) 9’
Piano & 2 Percussionists
Commissioned for pianist Teresa McCollough by Santa Clara University.
Premiered April 25, 2003 at Santa Clara University, California.
for the straight way was lost (2002) 8’
Duet for single-reed wind (Clarinet/Bass Clarinet/Alto Sax) and lower stringed instrument (Viola or Cello)
Commissioned and premiered by Darkwood Consort, Boise, Idaho.
Habañera/Carmen Fantasy (2008) ca. 3’30”
An arrangement for Viola and Cello, with additional optional Flute melody, of the Habañera from Bizet’s opera, Carmen, using Pablo Sarasate’s Carmen Fantasy for Violin and Piano as a starting point .
How Do I Love Thee? (2000) 4’30”
Text by Elizabeth Barrett Browning, for High Voice, Clarinet or Violin & Piano.
A co-commission and premiere by The Lark Ascending, Nancy Bogen, director, and the Lyric Arts Trio.
Murmuring in Comala (2006) 4’
Commissioned by Ana Cervantes as part of a multi-composer project celebrating the work of Mexican author Juan Rulfo.
Premiere at 34th Festival Internacional Cervantino, October 2006.
The Persistence of Past Chemistries (1998) 9’15”
Commissioned by Ethos Percussion Group under the auspices of the Jerome Foundation.
Premiered at Weill Recital Hall.
Recording by Ethos Percussion Group.
Shifting Coastlines (2000) 30’
Texts by Charles Simic; John Sokol; Ralph Burns; Howard Nemerov; Albert Goldbarth; Ronald Wallace
Medium High Voice & Piano.
Collaboration with the amazing visual artist Karen Fitzgerald.
Commissioned by Goliard Concerts with funding from the Greenwall Foundation and the Queens Council on the Arts, for their annual concert series and Southeastern Festival Tour.