Piano solo, one movement, ca. 4′
Commissioned by Ana Cervantes as part of a multi-composer project celebrating the work of Mexican author Juan Rulfo.
Premiere at 34th Festival Internacional Cervantino, October 2006.

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Watch Ana Cervantes perform the piece live at a benefit concert, in Guanajuato, Mexico, May 4, 2006:

Program Note:

The pianist Ana Cervantes commissioned 18 composers to write short piano pieces to commemorate the 50th anniversary of the publication of Pedro Paramo, an important proto-magical-realist novel by Mexican author Juan Rulfo. My Murmuring in Comala was written for this project. 12 of the pieces, including mine, were recorded on compact disc and presented at the 34th Festival Internacional Cervantino in Guanajuato, Mexico on October 17, 2006.

Rulfo’s striking sonic palette (groaning wheels, rattling windows, falling rain and murmuring ghosts), echoes the complex narrative unfolding, where we rarely know whose voice we are hearing initially. Just as sounds imply someone making them, we recognize the voices peripherally, like registering a ghost image. We discover whose voice it was rather than whose voice it is. We must resist the temptation to steamroll through these difficult passages because these veiled voices are so crucial to our understanding. Equally striking is the novel’s non-linear conception of time. It flowers slowly in multiple directions. This is a lovely analog to music, which is surprisingly multidirectional: we listen ahead and backward simultaneously, constantly reinterpreting each new musical gesture by placing it in its previous context and anticipating its direction.

 

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