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	<title>Comments on: From the Faraway Nearby (Piano Four-Hands)</title>
	<atom:link href="http://charlesgriffin.net/archives/111/feed" rel="self" type="application/rss+xml" />
	<link>http://charlesgriffin.net/archives/111</link>
	<description>blog, music, and information about the American composer</description>
	<lastBuildDate>Thu, 12 May 2011 14:22:46 +0000</lastBuildDate>
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		<title>By: Radiohead</title>
		<link>http://charlesgriffin.net/archives/111/comment-page-1#comment-16255</link>
		<dc:creator>Radiohead</dc:creator>
		<pubDate>Sun, 28 Nov 2010 07:46:49 +0000</pubDate>
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		<description>The Lawrence Tree reminds me to Thom Yorke&#039;s fine art in his band&#039;s song that was released for free. The titled of the song is these are my twisted words. At the first time I was interested to watch the fine art while listening to the song, well actually there was more instumental. What a good combination, although lack of &lt;a href=&quot;http://digitalpianokeyboardsreview.com/electric-pianos.html&quot; rel=&quot;nofollow&quot;&gt;electronic piano&lt;/a&gt; sound.</description>
		<content:encoded><![CDATA[<p>The Lawrence Tree reminds me to Thom Yorke&#8217;s fine art in his band&#8217;s song that was released for free. The titled of the song is these are my twisted words. At the first time I was interested to watch the fine art while listening to the song, well actually there was more instumental. What a good combination, although lack of <a href="http://digitalpianokeyboardsreview.com/electric-pianos.html" rel="nofollow">electronic piano</a> sound.</p>
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		<title>By: Charles</title>
		<link>http://charlesgriffin.net/archives/111/comment-page-1#comment-15577</link>
		<dc:creator>Charles</dc:creator>
		<pubDate>Tue, 06 Oct 2009 05:46:16 +0000</pubDate>
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		<description>Thanks, DJ! There is no studio recording of this piece in the 4-hand version. I actually got a 10K grant from the Argosy Foundation to make a recording that was going to include these pieces, but then the financial crisis hit, and they were forced to withdraw their support. Sigh.</description>
		<content:encoded><![CDATA[<p>Thanks, DJ! There is no studio recording of this piece in the 4-hand version. I actually got a 10K grant from the Argosy Foundation to make a recording that was going to include these pieces, but then the financial crisis hit, and they were forced to withdraw their support. Sigh.</p>
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		<title>By: DJ Fenn</title>
		<link>http://charlesgriffin.net/archives/111/comment-page-1#comment-15576</link>
		<dc:creator>DJ Fenn</dc:creator>
		<pubDate>Tue, 06 Oct 2009 04:21:22 +0000</pubDate>
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		<description>I LOVE these movements, i was wondering where do i go to download these? i heard it on the radio, and wanted it. I have seen where do download them for the guitar, but i would like the MP3 of these recordings for Piano. Where can i download them?</description>
		<content:encoded><![CDATA[<p>I LOVE these movements, i was wondering where do i go to download these? i heard it on the radio, and wanted it. I have seen where do download them for the guitar, but i would like the MP3 of these recordings for Piano. Where can i download them?</p>
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		<title>By: Piano Duo Gastesi-Bezerra</title>
		<link>http://charlesgriffin.net/archives/111/comment-page-1#comment-22</link>
		<dc:creator>Piano Duo Gastesi-Bezerra</dc:creator>
		<pubDate>Fri, 26 Oct 2007 01:51:02 +0000</pubDate>
		<guid isPermaLink="false">http://charlesgriffin.net/archives/111#comment-22</guid>
		<description>We have performed From the Faraway Nearby in several occasions, from recitals held at National Public Radio affiliates to church halls and New Music Festivals.  Everytime, this seemed to be one of the best received works by the audience.  Griffin&#039;s craft is evident in the writing of independent lines, the imaginative use of diatonic harmonies, and, above all, a rhythmic energy that is his trademark.
We plan to give many more performances of this work in the nearby and faraway futures!</description>
		<content:encoded><![CDATA[<p>We have performed From the Faraway Nearby in several occasions, from recitals held at National Public Radio affiliates to church halls and New Music Festivals.  Everytime, this seemed to be one of the best received works by the audience.  Griffin&#8217;s craft is evident in the writing of independent lines, the imaginative use of diatonic harmonies, and, above all, a rhythmic energy that is his trademark.<br />
We plan to give many more performances of this work in the nearby and faraway futures!</p>
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